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Director Nag Ashwin’s ‘Kalki 2898 AD’ is a sci-fi dystopian film inspired by Hindu mythology. At a press conference, the filmmaker explained why he chose the title ‘Kalki 2898 AD’. He mentioned, “Our film starts in Mahabharat and ends in 2898,” indicating a narrative that spans from ancient times to a distant future. This title

“Ultraman: Rising” takes an unconventional approach to the classic Ultraman saga, centering on a parenting theme rather than the monster battles that fans typically crave. Traditionally, Ultraman’s role has been to protect humanity from kaiju, metaphorical representations of various threats. This film, however, diverges from the norm by having Ultraman adopt a baby kaiju, a

“Inside Out 2” proves to be a mixed bag, offering an ensemble that’s both expansive and entertaining, yet ultimately failing to reach the emotional depths and narrative heights of its predecessor. This is particularly noticeable when compared to Pixar’s “Turning Red,” which skillfully encapsulates the chaotic emotions of puberty and adolescent girlhood in a way

As the world falls, young Furiosa is snatched from the Green Place of Many Mothers into the hands of a great biker horde led by the warlord Dementus. Sweeping through the wasteland, they encounter the citadel presided over by Immortan Joe. The two tyrants wage war for dominance, and Furiosa must survive many trials as